Yvette Hamilton

  • Work
    • The Appearance and Disappearance
    • Things I Can't See From Places I Can't Be (Elizabeth Fulhame)
    • Atmosphere Studies
    • Things I Can't See from Places I Can't Be (Black Holes)
    • Transit
    • Compression Studies
    • The Visible Invisible
    • Solar Observations
    • Space, Time, Light.
    • An Observation of sunlight, silver, and glass
    • Transit
    • Afterglow
    • Luminous Capture
    • Dark Star
    • Invisible
    • Bell Rock
    • Survey
    • Blind
    • Isophase
    • I just have this feeling
    • Phantom Island
    • Dead Reckoning
    • Laying Light
    • Moving Portrait
    • Where are you
    • Are you there
    • Hello
    • The Path of Totality
  • About
  • CV
  • Instagram
    • The Appearance and Disappearance
    • Things I Can't See From Places I Can't Be (Elizabeth Fulhame)
    • Atmosphere Studies
    • Things I Can't See from Places I Can't Be (Black Holes)
    • Transit
    • Compression Studies
    • The Visible Invisible
    • Solar Observations
    • Space, Time, Light.
    • An Observation of sunlight, silver, and glass
    • Transit
    • Afterglow
    • Luminous Capture
    • Dark Star
    • Invisible
    • Bell Rock
    • Survey
    • Blind
    • Isophase
    • I just have this feeling
    • Phantom Island
    • Dead Reckoning
    • Laying Light
    • Moving Portrait
    • Where are you
    • Are you there
    • Hello
    • The Path of Totality
  • About
  • CV
  • Instagram

 

This little guy 'Light and Lens' is now available via GalaBid for the the Blue Mountains Collectors Edition - the Blue Mountains Cultural Centre’s annual Collection Acquisition Fundraising Exhibition and online auction. Bidding closes on Friday
For the past couple of years I’ve been collecting time, light and atmospheric observations.

Always noting the actual weather and sometimes my own internal barometer: inspiration, exhaustion, overwork, sadness, happiness, mapped against what is
My practice sits in the space between seeing and not seeing.

Light, lens, dark, atmosphere. I work with sunlight and darkness, outside in the weather and inside the darkroom, trying to think through photography as something material, unstable and no
Studio portraits at night. Fighting the dog-tired feeling from the day, and then the quiet and the wrangling of light sensitive papers, setting up for hour long, day long, week long, or month long exposures where I'm trying to think through time.
Very excited to be talking alongside @antareswells and @yngjennifer on photography tonight as part of Screen Cultures - convened by Nick Croggon, Andrew Sully and Will Mu. 
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This session explores the photograph as and through the screen. Since photo
So delighted to have my paper 'Conjuring Elizabeth Fulhame: Using AI To Depict the Invisible Woman from the Dawn of Photography' in the special issue of Art Inquiries - 'Women of Photography'. Thank you so much to editor in chief Kris Belden-Adams fo
'Celestial no. 2' will be hanging in the Bowness Photography Prize @maph_photography alongside so many other amazing works by artists I deeply admire. The exhibition opens tonight and continues to 9th November.
'3 hours // 3 weeks (May 2025)' is a diptych of cameraless photographic works that record the actions of light on light sensitive surfaces across time. Rejecting the swift 'point and shoot' methodology, these works instead gather light over extended
'Things I Can't See from Places I Can't Be (Elizabeth Fulhame)' 2024. (detail views). Gold toned salt prints on cotton rag, from digital photographs and AI generated images. 43 x 59cm each. Image credit: Bee Elton
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Elizabeth Fulhame conducted and pu

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