Installation view at Hazelhurst Regional Gallery as part of ‘Vanishing Point’, 2018.  n the large light-based installation,  I   Just Have This Feeling , semaphoric symbology act as quasi-navigational markings that attempt to chart a course through an unknown sea.  The work mimics maritime navigational markers in both form and light patterning. In some sections of the sequence, the lights are actually conveying navigational instruction, but this code is quickly broken down into a chaotic rhythm where the reliability of the message is called into question, and we are literally ‘left at sea’.
       
     
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 Installation view at Hazelhurst Regional Gallery as part of ‘Vanishing Point’, 2018.  n the large light-based installation,  I   Just Have This Feeling , semaphoric symbology act as quasi-navigational markings that attempt to chart a course through an unknown sea.  The work mimics maritime navigational markers in both form and light patterning. In some sections of the sequence, the lights are actually conveying navigational instruction, but this code is quickly broken down into a chaotic rhythm where the reliability of the message is called into question, and we are literally ‘left at sea’.
       
     

Installation view at Hazelhurst Regional Gallery as part of ‘Vanishing Point’, 2018.

n the large light-based installation, I Just Have This Feeling, semaphoric symbology act as quasi-navigational markings that attempt to chart a course through an unknown sea.

The work mimics maritime navigational markers in both form and light patterning. In some sections of the sequence, the lights are actually conveying navigational instruction, but this code is quickly broken down into a chaotic rhythm where the reliability of the message is called into question, and we are literally ‘left at sea’.

180420_vanishing__032.jpg
       
     
       
     

       
     
I just have this feeling - 2018